In case you haven’t already found it elsewhere you should check out the new Halloween 2 poster, which isn’t titled H2 in this one, on the left. The general consensus seems to be that this is a pretty badass poster but I have to disagree. I’m not loving it at all. Brutality alone does not a good poster make and the very photoshopped sky and rain the background is pretty dull. The poster for the first film was better and the posters for Halloween 4 and 5 were much much better than both of them. In any case there It is for all to see. The movie comes to theatres this August. Below I’ve assembled a little retrospective on the much better Halloween Movie posters.

The Poster for Rob Zombies First does a better job at capturing the "Shape" feeling.

This Original Poster From Halloween 2 is creepy and captures the what made the originals good. Its not overbearing or violent but mysterious and spooky. Also that "All NEW" lets you know that the movie is ALL NEW and not a remake. Maybe they should try that with the new poster too?

The poster for Part 4 may be my favorite after the original. Its creepy, its classy and it captures the feel of the movies better than any poster previous.

Last and still the best is the original Halloween One sheet from 1978. You just can't top this classic of movie marketing genius.

The old saying, "You can't go home again" has always held true. Many have tried, college drop outs, artists, teeny bopper parents and even presidents but none have succeeded. Sometimes it is a catastrophe like Spielberg's excrutiatingly mediocre sequel Indiana Jones and the Kingdom of the Crystal Skull. Other times it can be not a little less painful like Marilyn Manson's latest record, The High End of Low, which finds Manson making up with writing partner Twiggy Ramirez and returning to 1998, or at least attempting to.

The High End of the Low is a decent album that tries to fit itself somewhere between Holywood and Mechanical Animals but never quite makes it. Back in the late 90's Manson was still public enemy number one and had no trouble courting controversy. However around 2002 He split up with his long time writing partner Twiggy Ramirez and replaced him with KMFDM collaborator Tim Skold. That partnership ended with the excruciatingly bad 80's goth pop-esque "Eat me, Drink Me".

High End of The Low is a nice try but too little, too late. Songs like Pretty as a ($), We're From America, and Arma-Goddamn-motherfuckin-geddon try to be the hard rock anthems that Manson has been very good at in the past but they just don't ever seem to reach the level of Beautiful People or Rock is Dead even.

The album opener, Devour doesn't really start things off on the best footing since it sounds like somehting left over from Eat Me, Drink me. Then there is the hevily repetive Four Rusted Horses and the overly long I want to Kill you Like in the Movies that clocks in at 9 minutes. There's and abundance of songs that are more aimed at humanizing the monster. But does anyone in this country still think Manson is the antichrist? The songs that do try to capture that evil and scary sound from Antichrist Superstar seem like imitations and bad ones at that.

While High End of the Low is definetly a return to the Manson of the 90's, it falls short of offering anything new. Manson had some great albums where he was able to re-invent himself over and over again, but now he may be running out of lives. Perhaps it really boils down to what kind of fan you are as to whether you like this record. Fans of AntiChrist Superstar, Portrait, and Holywood will probably appreciate the effort but delete it from there playlist after a few listens. Fans of the later Albums such as Mechanical Animals and Golden age of the Grotesque may like what they find here.

I guess for me I just like my Manson scary, mysterious, and very evil and The High End of Low Fails on all 3 counts.

5.5 out of 10